【摘要】 《西厢记》中的隐喻型话语可归为三类概念隐喻：“女人是植物”“爱情是春天”和“情感是实物”。熊式一、许渊冲灵活运用了直译、意译、省译、改译等策略来处理这三类隐喻，结合语境再现了部分隐喻及其映射特征，实现了认知与审美的统一，但译文也存在隐喻变明喻，淡化、删减隐喻意象的问题。更多还原

【Abstract】 Metaphorical expressions in Xi Xiang Ji can be classified into three conceptual metaphors: WOMAN IS PLANT,LOVE IS SPRING and EMOTION IS OBJECT.By showing how S.I.Hsiung and Xu Yuanchong deal with these metaphors in their English versions respectively, it’s found that although holding different translation views, they both used literal translation and free translation to reappear some metaphors and their mapping features accordingto the context, thus realizing the unity of cognition and aesthetics.The shortcomings of their translations are the disappearance of metaphors, and the understatement or deletion of images.更多还原