【摘要】 “桃花源”意象较早形成于陶渊明《桃花源记》的文字对渔人经历的事件叙事。在桃花源题材绘画作品的图像空间中，图像符号在叙事中通过对历时空间的创造而延展事件发生的线性时间，借助对物象的选择与组合而推展事件发展的进程，依托有意味的物象在事件发展的不同阶段的点缀和结穴而生成层层深入的结构，并由此呈现渔人经历的事件。“桃花源”意象在从文字到图像的跨媒介叙事中，不仅显现为安逸、和乐的世外桃源，更呈现出天地人伦的勃勃生机。更多还原

【Abstract】 The image of “Peach Blossom Land” was originated from the narrative of fishermen’s experience early in Tao Yuanming’s “Peach Blossom Land”. In the image space of the Peach Blossom Land paintings, image symbols in narrative extend the linear time of events by creating diachronic space and promote the process of event development through the selection and combination of object images. Image symbols rely on the ornament and knotting of meaningful object images in different stages of event development to generate layers of in-depth structure, and thus present the events experienced by fishermen. In the cross-media narration from text to image, the image of “Peach Blossom Land” not only appears as a peaceful and happy Xanadu land, but also presents natural vitality between heaven and earth.更多还原