【摘要】 本文首先揭示了一个现象：八大山人临帖临得最多的，就是王羲之的那篇“天下第一行书”，但他对王羲之的这篇作品从来不叫《兰亭序》，而一律叫《临河叙》。接着，文章揭示了原因：《兰亭序》是唐人的叫法，《临河叙》则是晋人的叫法。八大山人认为流传于世的《兰亭序》的各个书法版本都掺入了唐代的笔法，所以，他把王羲之的这幅作品叫作《临河叙》，就表明他要超越唐风，去追寻晋代气韵的态度。最后，文章揭示八大山人《临河叙》的临帖方法，并不在笔画字形的描摹，而在于笔意字韵的追寻，在于对晋人书法意境的体会，对晋人风格的把握。这也是八大山人继承传统、超越传统的一贯做法。更多还原

【Abstract】 Firstly, this thesis reveals a phenomenon: what BadaShanren imitated most was “the best running hand work in the world” by Wang Xizhi, which was never called “the preface of LanTing Poems Collection” but “the preface of LinHe Poems Collection” by BadaShanren. Secondly, this thesis analyzes the reason for it: the term of “the preface of LanTing Poems Collection” was from the the Tang Dynasty, while the term of “the preface of LanTing Poems Collection”was from the Jin Dynasty. In BadaShanren’s opinion, all the calligraphic versions of the renowned “the preface of LanTing Poems Collection” were blended with the brushwork of the Tang Dynasty, therefore he called it “the preface of LinHe Poems Collection”, demonstrating his attitude of surpassing the Tang style and pursuing the spirit of the Jin style. Lastly,this thesis demonstrates that the way BadaShanren imitated “the preface of LinHe Poems Collection” was not the tracing of strokes and characters, but the pursuit of conception and flavor,as well as the grasping of Jin style, which was also the consistent practice of BadaShanren inheriting and surpassing traditions.更多还原