【摘要】 表文在宋代发展到极致,与其创作制度化、功能礼仪化的应用语境密不可分。表文既是宋代词科的必考文体,也是朝廷官守日用不可或缺的文体之一。科举与官制的双重规约促使表文功能转向礼仪性,表文服务于"赓歌陈谟"的政治审美化。在礼制规范下开展的表文写作谨守正确的政治立场、规范的格式传统、严格的措辞达意等要求,同时也包含作者的志向、情感、意愿等个人表达。表文作者在礼制要求与志意表达之间的权衡与选择,反映了应用文体中权力话语与文学话语对现实的建构博弈。宋人在历史主义和知识主义主导下展开的表文阐释,展现了两宋表文在制度与礼仪之外所获得的超越性功能和自由性审美,也彰显出士人的生命智慧在实用性公文中所呈现出的丰富性和创造力。更多还原

【Abstract】 The writing of Memorial to the throne which started during the period of Han to Wei Dynasties(the Six Dynasties), and it climaxed in North and South Song Dynasties. Its acme in North and South Song Dynasties intertwined with its regularized inditing and the applicative context of the formalized function. The writing of memorials was not only the compulsory test in the imperial examinations in North and South Song Dynasties, but also indispensable daily work writing of the court officials. The two-sided regulate constraints from the imperial examination system and the bureaucracy impelled the function of the memorial to abide to etiquette, then the memorials served for Geng Ge Chen Mo(responsory, presenting poems and offering strategies)-a kind of political aestheticization. With the norms of etiquette, the writing of memorial must be on the correct political position, standard form traditions, rigorous phrasing and expressing, etc. Simultaneously, it also contained writer’s personal aspirations, feelings and wishes, etc. Writers balanced and selected between the requirement of the norms of etiquette and personal expressing, which reflected the building game playing in reality between the power discourse in the applicative writing and the literatures. People in North and South Song Dynasties interpretated the memorials guided by historicism and intellectualism, which shows the memorials achieved transcendent function and freedom aesthetic from the outside of the norms of etiquette and the political systems, and manifests the abundance and creativity of court officials’ life wisdom in their practical documents writing.更多还原