【摘要】 在《北京人》中,曹禺刻画了在旧社会封建父权压迫之下的女性群像,剧中的女性人物都有着自身的命运困境,在传统伦理道德的语境下,她们的自我生命意识被困囿于腐朽没落的封建大家庭错综复杂的关系网络中。但实际上以儒家"仁"为中心的传统伦理道德或人格理论是具有开放性的,女性能够通过从"内"领域向"外"领域的跨越来完成自我独立生命意识的建构,而曹禺对瑞贞与愫方觉醒与出走的安排,即是试图经由她们从家庭关系内部向外部世界的突围探寻出一条女性解放的道路。更多还原

【Abstract】 In Peking Man Cao Yu portrayed a group of women images under the oppression of the feudal patriarchy in the old society. The female characters in the play had their own destiny and dilemma. Under the context of traditional ethics and morality,their self-life Consciousness was trapped in the intricate network of relationships in the decadent feudal family. But in fact,the traditional ethics or personality theory centered on Confucian"ren"is open. So women could complete the construction of self-independent life consciousness by crossing from the inner to the outer. The writer’s arrangement of Rui Zhen and Su Fang’s awakening and leaving home is trying to explore a path for women’s liberation through the breakthrough from the internal family relations to the external world.更多还原