节点文献

商山四皓形象的文化意蕴及其传播

A Textual Research and Cultural Phenomenon Analysis of Shangshan Sihao

  • 推荐 CAJ下载
  • PDF下载
  • 不支持迅雷等下载工具,请取消加速工具后下载。

【作者】 王家民孙浩章王丰

【Author】 WANG Jia-min;SUN Hao-zhang;WANG Feng;School of Art, Xi’an University of Technology;

【机构】 西安理工大学艺术学院

【摘要】 商山四皓是超越历史事件本身的文史人物、文化符号和文化现象,具有儒、释、道多种内涵。他们所代表、所体现的无为而治的群体行为、汉承秦制的连接纽带、仕途遂顺的理想结局、进退有为的仁德典范等多是以诗词歌赋、绘画装饰等文艺方式传播的。历经两千年的演变,商山四皓已成为一种独特的文化符号。

【Abstract】 Shangshan Sihao is a literary and historical figure, cultural symbol and cultural phenomenon that transcends the historical event itself. It has multiple connotations of Confucianism, Buddhism and Taoism. The ways of acceptance of literature such as poems, songs and painting decoration are always used to transmit Sihao’s group behavior of ruling by inaction, the link between the Han Dynasty and the Qin system, the ideal ending of a smooth career, and the model of benevolence and virtue. Shangshan Sihao has eventfully become a unique cultural image among the changes of 2000 years.

【关键词】 商山四皓文化意蕴
【Key words】 ShangshanSihaocultural connotation
  • 【文献出处】 商洛学院学报 ,Journal of Shangluo University , 编辑部邮箱 ,2021年03期
  • 【分类号】I207.2;J05
  • 【下载频次】119
节点文献中: 

本文链接的文献网络图示:

本文的引文网络