【摘要】 数字人文是指数字时代人文学科和人文精神的重构。数字技术对人类认识世界、认识自我以及人与宇宙的相互定位产生了无法估量的影响,其导致的深刻变化可以比较于欧洲文艺复兴时代的伟大革命:数字技术、媒介技术、远程交流技术、算法技术,对于人类主体来说,都绝不只是工具,而是文化,甚至可以说技术本身就是人类的新型生命、新型器官和新型身体。数字人文将人类置于技术的核心地位,凸显偶然机遇,且在伦理上将对他人空间的尊重提升到首要位置。从古典学,尤其是从柏拉图的学说来看,数字人文就是技术时代的新神话,它对美学提出了一系列的挑战。回应这些挑战,数字人文主义将存在论的人文主义推至极限,同时提出数字时代的审美救赎使命:以理智灵魂的复活来拯救技术心理学的偏枯,以生命精神化来克服象征的贫困,以诗性原创思维来超越人工智能的愚拙。更多还原

【Abstract】 Humanities and even traditional humanism are undergoing reconstruction in an age of digital technology, which has profound impacts on man’s knowledge of universe and his self-knowledge, and mutual determination of man and world as well, so the dramatic transformation it produced could be compared with the great revolution of Renaissance ages. For human beings today such technologies as digital, media, telecommunication, computation, algorithm and the like, are not merely instruments, but more significantly the culture itself. It could even be said that technique itself constitutes new biology, new organology, and new exosamtization. Digital humanities put mankind in the heart of technology, stresses on serendipity, and gives ethical priority of the space for the other. However, as a new mythology in the epoch of technology or Anthropocene, digital humanities could be a challenge to traditional aesthetics by raising a series of problems, the responding to which should trace back to classical, especially Platonic psychology, that is, a philosophical care for and cultivation of soul. Furthermore, by fusion of horizons between digital technology and humanism, the pursuit of digital humanism is to take the aesthetic redemption as its destiny, which includes overcoming the exhaustion of technological psychology by recuperation of the noetic soul, healing symbolic mercy by spiritualizing life, and correcting the stupidity of artificial intelligence by innovative and poetic thinking.更多还原