【摘要】 当代英国作家珍妮特·温特森的小说《苹果笔记本》改写了传统的1+1=1的"雌雄同体"神话,创造了1+1=4的后现代伦理"雌雄同体"模式。在小说的叙事中,结构关系中的现实与想象之间,时间关系中的当下与历史之间,空间和文化关系中的本土与异域之间以及人物关系中的爱者与被爱者之间都呈现为交叉并置共存的关系,形成一种隐喻的"雌雄同体",但是每一个"雌雄同体"中的"雌"与"雄"之间是不可规约、拒绝同一的自我与他者的关系,从而叙事成为后现代伦理"雌雄同体"的隐喻。这种叙事模式蕴含了温特森在创作中对超越自我、面向他者的伦理思考。更多还原

【Abstract】 The contemporary British writer Jeanette Winterson in her novel The PowerBook rewrites the traditional myth of Androgyny in an equation of 1+1=1, creating a new form of Androgyny with postmodern ethics in an equation of 1+1=4. In the narrative of the novel, the structural relationship between reality and imagination, the temporal relationship between the present and history, the spatial and cultural relationship between the indigenous and the exotic, and the character relationship between the lover and the beloved all demonstrate a kind of intersection, juxtaposition and coexistence, forming a metaphorical Androgyny. But within each "Androgyny", the relationship between "the male" and "the female" is that of self and other, irreducible and refusing to be the same, thus forming a narrative metaphor of Androgyny with postmodern ethics. This narrative form implies Winterson’s reflection on the ethics of exceeding the self and facing the other.更多还原