【摘要】 随着八十年代"回到鲁迅自身"呼声的出现,学界逐渐重视鲁迅与电影这一课题,电影在鲁迅晚年占据重要位置,近乎是他"唯一的娱乐"。关于鲁迅与电影的研究围绕"政治"和"美学"两大关键词取得了一定成果。但因为受神圣化鲁迅的研究惯性影响,对鲁迅偏好好莱坞影片的观影趣味、寻求放松娱乐的观影目的等电影美学层面的研究还不充分,对鲁迅与1930年代左翼电影运动真实关系的史料梳理还不清晰。因此,鲁迅与左翼电影运动、鲁迅与外国电影等议题还有待进一步发掘。更多还原

【Abstract】 When the aspiration of "Back to Lu Xun" came into fashion in 1980 s,Chinese scholars began to pay attention to the relationship between Lu Xun and films because watching films was nearly the only entertainment of Lu Xun in his later life.Previous studies center on topics of Politics and Aesthetics,and many specific topics are investigated through such two research paths as from Politics to Aesthetics and from Aesthetics to Politics.However,influenced by the research tendency of sanctifying Lu Xun, the research on Lu Xun’s preference for Hollywood films and his pursuit of relaxation and entertainment is inadequate,and the research on the relationship between Lu Xun and the left-wing film movement in the 1930 s is still not enough.Therefore,topics such as Lu Xun and the left-wing film movement,Lu Xun and foreign cinema need further investigation.更多还原