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王兆乾:黄梅戏音乐与理论的奠基者

Wang Zhaoqian: Founder of the Music and Theory of Huangmei Opera

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【作者】 北鸥卞萌

【Author】 BEI Ou;BIAN Meng;School of Music and Dance,South-Central University for Nationalities;Piano Department,Central Conservatory of Music;

【机构】 中南民族大学音乐舞蹈学院中央音乐学院钢琴系

【摘要】 20世纪是黄梅戏曲折生成、发展进而走向辉煌的世纪。王兆乾作为剧作家、作曲家和理论家,对黄梅戏在20世纪后半叶的崛起作出了不可磨灭的重要贡献;尤其在黄梅戏配曲和乐理方面,王兆乾堪称最早的先行者和开山者(没有之一)。疏理并阐扬王兆乾从事黄梅戏源流、唱腔之田野调查的史实,改编黄梅戏并为之配曲的创作实践,创构黄梅戏音乐理论的方法与成果,对于促进黄梅戏及其音乐的革新与发展,对于研究戏曲音乐在二十世纪后半叶的最新进展无疑具有重要意义。

【Abstract】 It was in the 20 th century that the Huangmei Opera came into being,developed and advanced to its glory.As a playwright,composer and theoretician,Wang Zhaoqian has made indelible contribution to the rise of the Huangmei Opera in the second half of the 20 th century. Wang Zhaoqian is the only( not one of) pioneer and founder especially in the aspects of music and musical theory of Huangmei Opera. This essay is designated to deal with the historical facts that Wang Zhaoqian collected in field investigations on the origin,development and music of the Huangmei Opera,his practices on adapting operatic works and writing music accordingly and his approach of and achievements on creating musical theories for Huangmei Opera,which shall help promote the innovation and advancement of the Opera itself and its music and is also undoubtedly significant to studying the latest progress of the theatrical music in the latter half of the 20 th century.

【关键词】 王兆乾黄梅戏音乐调性变式
【Key words】 Wang ZhaoqianMusic of Huangmei OperaTonalityVariation
  • 【文献出处】 艺术百家 ,Hundred Schools in Arts , 编辑部邮箱 ,2020年03期
  • 【分类号】J617.5;K825.78
  • 【下载频次】84
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