【摘要】 梳理姚燮早年在宁波枕湖吟社的诗歌活动及相关记载,不难发现姚燮、厉志、叶元阶三人在诗学方向上是保持一致的,且受到吴德旋的影响。因而,探究姚燮的诗学渊源问题,不妨首先联系厉志的《白华山人诗说》,其次进一步追溯到吴德旋乃至吴德旋的师法对象——宋大樽和姚鼐,再旁参其他枕湖吟社成员的诗话著述,即陈仅的《竹林答问》,由此可揭示出道光年间四明诗学的生成语境,其中根底落在"学古"二字。四明诗学的同质化特征,构成了"四明诗派"确立的一项关键性乃至根本性要素,又因四明诗学与格调诗学的源流关系,"四明诗派"在清诗史中的位置也较为清晰。更多还原

【Abstract】 Yao Xie’s early poetry activities in the Zhenhu Poetry Club of Ningbo reflected that Yao Xie, Li Zhi and Ye Yuanjie were all influenced by Wu Dexuan and had similar views in terms of poetics. Thus, a possible path to explore the origins of Yao Xie’s poetics is to consult Li Zhi’s Poetry Remarks by Baihua Hermit, then to trace to the theories of Wu Dexuan, Song Dazun and Yao Nai, and finally to refer to the works on poetics by other members of the Zhenhu Poetry Club, particularly Chen Jin’s Answering Questions in the Bamboos. This reveals the generative context of the "Siming School" of poetics during the reign of Emperor Daoguang. The foundation of the Siming School of poetics lies in the study of antiquity, and its homogeneous characteristic was critical to the construction of the Siming School of poetry. As a result of the relationship between the Siming School of poetics and style poetics, the Siming School of poetry also had a clear position in the history of poetry of the Qing dynasty.更多还原