【摘要】 苏珊·桑塔格反对从艺术作品中探寻真理性和道德性深层意义的传统阐释方式,主张艺术批评应该从关注艺术作品的思想内容、社会道德内涵转向恢复艺术作品自身的明晰可感性。不过桑塔格并不否定艺术与道德之间存在联系。她虽然反对要求艺术家具有明确的道德目的,但她倡导艺术的道德性,即她所说的"新感受力"。艺术提供的审美体验与现实生活体验之间的距离对于培养人的道德感至关重要,艺术的风格就决定于这种距离。桑塔格对风格化艺术的肯定显示了她反对艺术的道德教化功用的一以贯之的观点。桑塔格提倡的"坎普"虽然颠覆了传统的艺术与道德的关系,但实质上将艺术与更为宽泛意义的道德观念密切联系起来,体现了更为深层的道德关怀。更多还原

【Abstract】 Susan Sontag opposes the traditional way of interpretation to explore the deep meaning of truth and morality from art works, and advocates that art criticism should turn from focusing on the ideological content and social moral connotation to restoring the clarity and sensibility of art works themselves. However, Sontag does not deny the connection between art and morality. Although she rejects to requiring artists to have a clear moral purpose, she advocates the morality of art, which she calls "new sensibility". The distance between aesthetic experience provided by art and people’s real life experience is very important to cultivate their moral sense, and the style of art depends on this kind of distance. Sontag’s affirmation of stylized art shows her consistent view against the moral education function of art. Although the "camp" advocated by Sontag has subverted the traditional relationship between art and morality, in essence, it closely links art and morality in a broader sense, reflecting a deeper moral concern.更多还原