【摘要】 人的一切思维活动,其所凭依的对象,不论是属于天地人间的何一种类,都是实际的物质条件及其转化物。如果要对其给予自己内心的感受做出语言或进一步的文字反应,就成了从感性到理性的飞跃。这时又因使用语言或文字的逻辑与形象的各有偏重,因而分为不同的文体。而文学和审美感知的不同文体,在思维和文字外化上,又各有讲究。但是只要把思维转化为文字表现,都是感知的一种飞跃,以致是本质性的变化。更多还原

【Abstract】 The object on which all human thinking depends, no matter what kind of world it belongs to, is the actual material condition and its transference.It is a leap from the sensible to the rational to make a verbal or further literal response to the inner feelings he has given himself.At this time, due to the use of language or the logic of the text and the image of the emphasis on each, different styles are divided into. And the different styles of literature and aesthetic perception have their own stress on thinking and writing externalization. But as long as the thinking is transformed into the expression of words, it is a leap of perception, so that it is the essential change.更多还原