【摘要】 对当代中国文学理论知识形态与知识生产问题的探索,是改革开放40年来文艺学基础理论研究和建设的重要内容。这一重大命题的提出,既受到20世纪西方人文领域反思知识学思想背景和"后理论"趋势的影响,也是新时期在对西方文论观念和方法的频频借鉴和移植后,国内文论研究界对中国文论知识生产的深刻反思和自觉的理论认知。从知识生产的多元构型,到具有中国特色的范式建构,彰显了中国文论知识形态探索的艰难过程、历史经验及发展空间。它深刻启示我们,以中国的文化思想和审美精神为根基,面向当代人的生命存在和文艺活动的现实发展与需要,创构以"人文—审美阐释"为核心的中国文论范式及话语形态体系,已成为新时代中国文论知识形态建构与知识生产发展的重要目标和基本任务。更多还原

【Abstract】 The exploration of the knowledge form and knowledge production of contemporary Chinese literary theory was an important part of the basic theoretical research and construction of literature and art in the 40 years since the reform and opening-up. The proposal of this important proposition was influenced by the ideological background of reflection on the theory of knowledge and the "post-theory"trend in the western humanities field in the 20 th century. It was also the profound reflection and conscious theoretical cognition on the knowledge production of Chinese literary theory by Chinese literary theory community after the frequent reference and transplantation of western literary theory concepts and methods in the new era. From multiple forms of knowledge production to the paradigm construction with Chinese characteristics,it demonstrated the difficult process,historical experience and development space of exploring the knowledge form of Chinese literary theory. It revealed that,based on Chinese cultural thoughts and aesthetic spirit and oriented to the real level of development and needs of life existence of contemporary people and literary and artistic activities,creating a paradigm and discourse form system of Chinese literary theory with " humanistic-aesthetic interpretation" as the core,has become an important goal and basic task for the construction and development of knowledge form of Chinese literary theory in the new era.更多还原