【摘要】 汉语中重叠常被用于诗歌和绕口令中,在诗歌中重叠的运用会产生韵律和谐与音乐美感,而在绕口令中所形成的却是语音拗口。二者虽都采用重叠形成但语音效果却截然相反。论文从重叠呈现的规律性、重叠的量度机制、重叠成分和非重叠成分的语音搭配三个方面分析研究发现:有规律重复出现的重叠产生韵律和谐,无规律重复出现的重叠产生语音拗口;重叠的量度中,诗歌一句中有一处双声或叠韵,会增强诗歌的音乐性,若四字或五字声同或韵同会产生拗口诗,绕口令就是通过多个声同或韵同字的连续使用产生拗口;通过对四音格词的分析发现虽然四字声同或韵同,若利用其他语音成分的差异性进行巧妙的规律搭配,反而会形成较高的语音和谐和乐音性。更多还原

【Abstract】 In Chinese language, the overlapping rhetorical is often used in poetry and tongue twisters. However, the overlapping in poetry produces rhythmic harmony and musical beauty, while in tongue twisters, it sometimes results in phonological dissonance. Although both of them are created by the use of overlapping, their phonetic effects are quite opposite. According to the analysis of the regularity, the measurement mechanism, and the phonetic collocation of overlapping and non-overlapping components, it is found that the regular repetition produces rhythmic harmony, and the irregular repetition produces phonological dissonance. A rhyming compound in a line of a poem often enhances the musicality of the poem. In cases of continual phonological overlapping over four or five words, the overlapping and non-overlapping components need to have larger differentiation in pronunciation and sound perception. Besides, distinguished phonological collocation will also contribute to phonological harmony.更多还原