【摘要】 于四川安岳千佛岩和简阳朝阳寺发现的两铺僧伽变相中,主尊均为僧伽、宝志和万回,朝阳寺僧伽两侧弟子为木叉和慧俨。千佛岩僧伽变相雕22组僧伽行化情节,有12组可释读,开凿于元和、长庆年间。朝阳寺有5组僧伽行化情节,3组可释读,系九世纪上中叶的作品。此二铺僧伽变相与西禅寺、千佛崖同类题材有共同的粉本,是僧伽行化神迹"三十二化"系统的遗存,五代至宋初又形成了"三十六化"系统的僧伽变相,并在成都以东的宋代石窟中开凿。与僧伽相关的图像可分为四类,均产生于八世纪上中叶的长安,进而传入四川。更多还原

【Abstract】 Two depictions of Samgha were recently discovered, one in the Thousand Buddha Peaks at Anyue and the other in the Chaoyang Temple at Jianyang, the main statues in the former are of Samgha, Baozhi and Wanhui, while in the latter the two disciples of Samgha are Mucha and Huiyan. The relics at Thousand Buddha Peaks, excavated between the Yuanhe and Changqing eras, have 22 groups depicting Samgha’s story, 12 of which can be interpreted. Those from Chaoyang Temple, excavated in the 9 th century, have 5 groups, of which3 can be interpreted. These two illustrations share the same draft with others of the same theme—depictions of Samgha and his disciples— found in both the Xichan Temple and Thousand Buddha Peaks; all of these artworks belong to the greater narrative of Samgha’s thirty-two miraculous deeds. In the Five Dynasties and Early Songdynasty, the thirty-two miracles were changed to thirty-six, as images from the Song dynasty excavated in the east of Chengdu have shown. The images of Sangha can be divided into four categories, and all of them first appeared in Chang’an in the 8 th century.更多还原