节点文献

电影叙事学视角下《小丑》对音乐的使用分析

An Analysis of the Use of Music in Joker from the Perspective of Film Narratology

  • 推荐 CAJ下载
  • PDF下载
  • 不支持迅雷等下载工具,请取消加速工具后下载。

【作者】 吴婷

【Author】 WU Ting;College of Liberal Arts,Shanghai University;

【机构】 上海大学文学院

【摘要】 基于电影叙事学方面的知识将音乐在电影《小丑》中出现的不同场景进行归类、划分,总结出两大类型:同一性场景中的音乐和多样性场景中的音乐。在多样性场景中的音乐谱系中又划分出两种不同的情节类型:情节闪回型和情节推进型,在这两种类型中,音乐又有着不同的表现形式。音乐在推进型情节中的不同作用还可划分出两个维度:(1)始终作为背景音;(2)主题音乐与叙事因素结合。

【Abstract】 Since the emergence of audiovisual films,sound has occupied a very important position in audiovisual culture. More and more scholars discuss the role and status of sound in animation,advertising,games,film and television works and other cultural carriers. However,the use of film narratology to analyze the special use of music in films is limited. Based on the knowledge of film narratology,this paper classifies and classifies the different scenes of music in the film,and summarizes two types: Music in the same shot and music in the diversity shot. In the music pedigree of diversity lens,there are two different types of plot: plot flashback type and plot advance type. In these two types,music has different forms of expression. Finally,the different roles of music in promoting plot can be divided into two dimensions: the combination of background sound,theme music and narrative factors.

  • 【文献出处】 东莞理工学院学报 ,Journal of Dongguan University of Technology , 编辑部邮箱 ,2020年04期
  • 【分类号】J617.6
  • 【被引频次】2
  • 【下载频次】687
节点文献中: 

本文链接的文献网络图示:

本文的引文网络