【摘要】 王国维"境界说"的提出离不开对德国美学的研究和吸收,但其理论仍熔铸着中国传统思想,其中的儒家思想也是闪烁可见的。这种转向中国传统思想的审视不是牵强附会,而是由王国维所接受和认同的儒家文化在"境界说"中的隐现,以及王国维将"境界说"运用于中国文学艺术的批评实践所决定的。王国维"境界说"中对审美主体之"内美"、审美观照之"忠实"、审美表达之"自然"以及审美思想之"忧生忧世"的要求,无不浸润着儒家学说的思想意蕴。更多还原

【Abstract】 Wang Guowei’s Realm Theory cannot be unrelated to the study and absorption of German aesthetics, but his theory is still fused with traditional Chinese thoughts, and the Confucianism is also visible. This review of traditional Chinese thought is not far-fetched, but is determined by the emergence of Confucian culture accepted and recognized by Wang Guowei’s Realm Theory and his critical practice of applying realm theory to Chinese literature and art. In Wang Guowei’s theory, the nature of the faithful aesthetic expression and the requirement of the aesthetic thoughts are all infiltrated with the ideological implication of Confucianism.更多还原