【摘要】 王士禛在志怪创作中,体现出了对于唐前创作传统的有意回溯与依循。首先,关于志怪一体的属性认知,王士禛与唐前作家是一致的,这体现在他对志怪"史"之渊源的强调之上;其次,王士禛在保持志怪"笔记体"的形式要求之外,力求重新树立起"撰"这一志怪创作的原始创作形式;再次,在内容建构层面,王士禛因循前代志怪所构架出的体类结构,以求与传统的内容体制达成吻合。王士禛通过这三方面的集中表现,明确传达出了他在志怪创作中的溯源意识。通过对此过程的梳理,可关照清初志怪在创作意识上的一些新变。更多还原

【Abstract】 Wang Shizhen’s creation of mystery novels reflects his looking back on and abiding by the creation tradition of the pre-Tang Dynasty intentionally. Firstly,Wang’s attribute cognition of integrated mystery novels is consistent with the one of writers before the Tang Dynasty,which is reflected in his emphasizing the origin of "history"of mystery novels. Secondly,he tries to re-establish the original creative form of "writing"while keeping the formal requirement of "note style"of mystery novels. Thirdly,at the level of content construction,he follows the genre structure of the previous generation so as to tally with the traditional content system. Through the concentrated expression of these three aspects,he clearly conveys his origin consciousness in the creation of mystery novels. Sorting out this process can correlate with some new changes in the creation consciousness of mystery novels in the early Qing Dynasty.更多还原