【摘要】 乔治·爱略特对吉卜赛文化的虚构与想象暗合了审美乌托邦的艺术传统,其审美功效构成了对社会现实略带隐晦的反抗。爱略特作品替吉卜赛人洗去"污名"是为化解维多利亚时期西方世界的文化焦虑和精神危机所作的努力。爱略特笔下吉卜赛"女王"想象代表女性对摆脱男权价值体系的梦想。吉卜赛人代言了原始和古老的文化传统,是田园文化的象征,被爱略特看作是对抗现代社会疾病的解药。爱略特作品展示了吉卜赛人对"流浪"的强烈旨趣和对差异权的执着追求,呈现了对多元文化的倡导。爱略特作品在审美乌托邦语境中创造了一个政治伦理神话,宣示了对一种与生命存在相吻合的新的社会秩序诉求。更多还原

【Abstract】 George Eliot’s fictional and imaginary presentation of the gypsy culture is subtly representative of an aesthetic utopia,and its artistic effect constitutes an obscure resistance to social reality. Eliot’s works removing the stigma of the Gypsies are an effort to alleviate the cultural anxiety and spiritual crisis of the Victorian Western world. The Gypsies as the embodiment of primitive and ancient cultural traditions and symbolization of pastoral culture are regarded as the antidote to modern social diseases. In the aesthetic Utopian context,Eliot’s works create a myth of political ethics and declare the pursuit of a new social order consistent with the real existence of life.更多还原