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从戏曲电影发展史看影戏关系的嬗变——兼论戏曲与中国电影民族化

On the Evolution of Film-Opera Relation from Development History of Traditional Opera and Film:A Concurrent Discussion on Traditional Opera and Nationalization of Chinese Films

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【作者】 王艳

【Author】 WANG Yan;School of Arts, Peking University;

【机构】 北京大学艺术学院

【摘要】 多样性和多元化是文化艺术的生命力所在,电影的民族特色是构成多样性的重要特征。综观世界电影的不同民族流派,从传统戏剧、歌舞、诗歌等艺术形式中汲取灵感来塑造电影民族性的案例比比皆是。在中国,戏曲被认为是融合了中国古典审美意象和民族传统艺术形式的综合艺术,百年来,无论是对影戏的理论研究还是融合两种艺术形式的创作实践都积累了丰富的经验和案例。对于中国电影民族化问题的讨论,重新审视戏曲和中国电影的关系无疑具有现实意义和重要价值。

【Abstract】 Variety and diversity make up the essence of culture and art, and the national characteristics of films constitute an important feature of diversity. A close look at different national genres of world films, there are many cases of drawing inspiration from traditional drama, singing and dancing, poetry and other artistic forms to shape the national character of films. In China, opera is considered to be a comprehensive art form that integrates Chinese classical aesthetic imagery and traditional national art forms. Over the past century, both theoretical research and creative practice of the two art forms have accumulated rich experience and samples. With regard to the discussion of the nationalization of Chinese films, it is undoubtedly of practical significance and important value to reexamine the relationship between Chinese opera and Chinese films.

【关键词】 戏曲电影同化民族化
【Key words】 Chinese opera and filmassimilationnationalization
  • 【文献出处】 美育学刊 ,Journal of Aesthetic Education , 编辑部邮箱 ,2019年02期
  • 【分类号】J951.2
  • 【被引频次】2
  • 【下载频次】447
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