【摘要】 以晋祠山门作为分析晋祠历史进程的一个侧面,对其从识别、认知、辩解,进而到实质性的位置变化和习惯,直接映射了晋祠由叔虞祠到圣母祠直至晋祠博物馆的过程。通过还原晋祠山门的位置和作用,重新认知圣母庙的空间组成,赋予水镜台、对越坊、钟鼓楼等晋祠建筑新的建造含义。由此指出,在历史进程中,实物与认知可能存在一定错位;甚至,建筑群中一处微小的建筑亦可能存在未知的设计匠心,不能将其轻易抹去。更多还原

【Abstract】 Taking the entrance gate of Jinci Temple as an example for the analysis of historical processes, this paper explicates the recognition, cognition, debate and substantive changes of location and habits of the gate, as reflections of the process of Jinci Temple from a temple dedicated to Tang Shuyu to the Temple of Holy Goddess, and then transformed to today’s Jinci Museum. Through restoration of the locations and roles of the gate, it recognizes the spatial layout of Temple of Holy Goddess, discovering new implications for buildings such as Shuijing stage, Duiyue archway, Bell and Drum Towers in Jinci. On this basis, it contends for discrepancies between the physical environment and cognition in historical processes, and it is possible that a small building in the complex may reveal unknown design ingenuity which cannot be readily erased.更多还原