【摘要】 以往文学史总是将"十七年"文学的生成与文艺界整风运动联系起来,并因此形成某种"政治决定论"的解读思路。此观点显然忽视了现代作家接受主流文学话语的复杂动机,也忽略了对其在体制内主体能动性的考察。笔者认为,有必要将研究视野前移至1940年代中后期共产党的团结作家政策。作为一种"人才机制",它打通了非左翼作家接近、熟悉、了解"人民文艺"的通道,进而促使他们在组织化的改造运动前就主动参与到新文艺体制的建构过程中。基于此,本文将从历史背景、实践方法和边界设置三个角度展开讨论,以期为未来的研究提供有益参照。更多还原

【Abstract】 Research on Chinese contemporary literature history has always linked the generation of Seventeen-Year Literature to the rectification of literature and art in 1950 s, in their opinion, the development of literature was deeply affected by the political decisions and activities. However, the political determinism has ignored the acceptance motivation and subject’s activity of modern writers. Before the remolding of intellectuals in 1950 s, the writers’ unity policy of Communist Party in late 1940 s, as a talents system, has attracted a great number of writers to take part in constructing the People’s Literature consciously. This paper will analyze the policy from three aspects: the historical background, the practices with bottom lines and operating mechanism.更多还原