【摘要】 璀璨的中国传统建筑文化是建筑审美的结晶,凝结着民族的审美意识。素称匠学的建筑长期被排除在艺术领域之外,导致中国传统建筑审美范畴的匮乏和孱弱,建筑美学体系更无从谈起。在被西方建筑美学霸权主导的中国当代建筑语境下,大量以西方美学横向挪用、简单比附,造成对中国传统建筑美学内涵立场不明的错位和误读。文章以中国古代哲学思想的视角来透视和剖析建筑,梳理和架构基于儒释道"三教合流"视域的中国传统建筑美学范畴及其体系,以期通过重新阐释中国传统建筑所蕴含的深邃思想、价值理念和美学特质,呼唤建筑向历史文化、民族情感和审美理想回归。更多还原

【Abstract】 Sparkling traditional Chinese architecture culture congeals our national aesthetic consciousness. The aesthetic category of architecture is weak and deficient,not mention to architecture aesthetics since it has long been excluded out of art field. In the context of contemporary Chinese architecture manipulated by western architecture supremacy,crosswise reference and simple comparison of western aesthetics resulted in malposition and misunderstanding of traditional Chinese architecture aesthetics. Based upon ancient Chinese philosophical thought,this paper constructs traditional Chinese architecture aesthetic categories and system on the basis of Confucianism,Buddhism,and Taoism,so as to call a return to historical culture,national emotion,and aesthetic ideal.更多还原