【摘要】 中国传统美学向来将美与人生联系在一起探讨。这一人生论美学传统发端于儒道哲学,并在历朝历代的文人知识分子中得到稳固传承。具备了学科意识的现代美学先驱吸收西方美学思想,对人生论美学的理论内涵做了进一步地明确。五六十年代后我国美学研究更多受到西方认识论美学的影响,使人生论的传统短暂中断。晚近以来,王元骧教授与他的团队以实践论美学为理论前提,倡导走两大美学系统的融合之路,从基本概念、理论资源、理论内涵等多个方面对人生论美学进行了全方位的建构,赋予了人生论美学一个明确的理论形态。王元骧与金雅等人的人生论美学不仅是中国传统人生论美学的创新发展,而且在对人的理解上显示出对西方人文主义美学的某种超越。人生论美学在建立具有民族特色的美学理论,促成中西方美学交流对话等方面具有突出意义。更多还原

【Abstract】 Traditional Chinese aesthetics has always linked beauty to life. This aesthetic tradition of life theory originated from Confucianism and Taoism and was firmly inherited among literati and intellectuals of all dynasties.The pioneers of modern aesthetics with disciplinary consciousness absorb western aesthetic ideas and further clarify the theoretical connotation of life aesthetics. Since the 1950 s and 1960 s,the study of aesthetics in China has been more influenced by Western epistemological aesthetics,which has temporarily interrupted the tradition of life theory. In recent years,Professor Wang Yuanxiang and his team have advocated the integration of the two aesthetic systems on the theoretical premise of practical aesthetics. They have constructed life aesthetics from the basic concepts,theoretical resources and theoretical connotations,giving life aesthetics a clear theoretical form. Wang Yuanxiang and Jin Ya’s life theory aesthetics are not only the innovative development of Chinese traditional life theory aesthetics,but also the transcendence of western humanism aesthetics in their understanding of human beings.The aesthetics of life theory has prominent significance in establishing aesthetic theory with national characteristics and promoting aesthetic exchange and dialogue between China and the West.更多还原