【摘要】 剧场昧式即戏剧诸存在者自身及其相互关系在剧场内进行综合的过程中,以非意识或者无意识方式相互作用所形成的开显戏剧形态的可能性。在剧场昧式理论中,剧场是一个有限的聚集性世界,它意味着一种有边界的空间,这就是有限性,是一种限制,限制就是一种约束力,一种能量。但是,边界的"限制力"也是正能量——聚集力。对此,本文阐述了剧场昧式的基本范畴、作用形式与作用机理。在剧场昧式中,具有四种决定戏剧开显形式的潜能:剧场格式塔、诸存在者、关系昧式、为他昧式。更多还原

【Abstract】 The amorphism of theatre means the unconcealed possibilities generated by the non-conscious or unconscious interactions in the synthesizing process of theatrical beings and their relations. According to the theory of the amorphism of theatre, the theatre is a limited world of gathering and it indicates a space with borders, which is in itself a limit with a confining power or an energy. However, the confining power is a positive one — a cohesive force. This paper discusses the basic scope, function, and mechanism of the amorphism of theatre. There are four potentials that decide the unconcealed forms of the amorphism of theatre:the theatrical Gestalt, the beings, the relations, and the altru-amorphism.更多还原