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鲁迅新兴木刻民族化理论探析

Analysis on Lu Xun’s Modern Chinese Woodcut Theory with Chinese Characteristics

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【作者】 陈力

【Author】 Chen Li;

【机构】 南开大学哲学院

【摘要】 鲁迅是新兴木刻的主要倡导者,他一手扶植了新兴木刻运动的发展,从艺术理论和实践方面对木刻艺术家给予指导,矫正了木刻发展的错误取向。本文将主要研究鲁迅的新兴木刻民族化理论,首先理清新兴木刻民族化开展的背景,其次将从鲁迅对西方木刻和中国传统民间艺术的认识出发,阐述他通过对二者的选择性推荐促进新兴木刻民族化发展。此外,本文也将探讨他针对技法薄弱、题材单一等木刻实际创作问题所提出的相关主张以及他为扫清木刻大众化障碍、促进中国新兴木刻艺术风格形成所做出的贡献。

【Abstract】 A principal promoter of modern Chinese woodcut, Lu Xun nurtured the modern Chinese woodcut movement, guiding the theory and practice of the woodcut artists, and correcting the mistakes in the development of woodcut. His woodcut theory with Chinese characteristics is carefully studied in this article. Firstly, the historical background of modern woodcut with Chinese characteristics is clarified.Secondly, his viewpoint is expounded on Chinese traditional art and Western art which includes the selective introduction to promote the development of modern Chinese woodcut. Discussed in this paper are the suggestions proposed by Lu Xun to solve the practical problems of technical shortage and the weak theme. In addition, Lu Xun paved the way for modern Chinese woodcut, eliminating the obstacles in popularization and contributing to the perfection of modern Chinese woodcut style.

  • 【文献出处】 文学与文化 ,Literature and Culture Studies , 编辑部邮箱 ,2018年03期
  • 【分类号】J217
  • 【被引频次】1
  • 【下载频次】160
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