【摘要】 中国女性比较活跃的文学批评活动始自晚清,20世纪上半叶逐步走向成熟。商务印书馆创办的《妇女杂志》(1915-1931)是中国近现代历史上发行量最大、发行时间最久、覆盖面最广的女性期刊。《妇女杂志》在一定层面上颇能反映中国近现代女性文学批评活动的发展历程与特征。《妇女杂志》共刊登了46位女性撰写的53篇文学批评作品。以1920年为界,女性文学批评的语体和内容均有较大变化:由文言走向白话;由诗文评模式走向现代学术评论;批评对象由中国古代诗文拓展到古今中外文学。1920年代,女性文学批评者们从不同角度论证了女性写作的正当性,在理论层面上扫清了女性从事文学创作的障碍,完成了自清中叶以来女性为自身写作正名的漫长历程。更多还原

【Abstract】 Women’s literary criticism was more active in the late Qing and gradually matured in the early20 thcentury. The Ladies Journal(1915-1931),founded by the Commercial Press,was the most widely circulated and distributed female journal in China’s modern history. To a certain degree and at a certain level,The Ladies Journal literally reflected the characteristics of Chinese women’s literary criticism activities.Altogether,there were fifty-three literary criticism pieces by forty-six women writers in The Ladies Journal.Taking 1920 as the boundary line,the styles and contents of women’s literary criticism witnessed a substantial change,i. e.,from literary Chinese to more colloquial expressions,from the traditional to modern modes of discourse,from criticism of classical Chinese work to that of classical and modern,both Chinese and foreign.In the 1920 s,women’s literary critics demonstrated the legitimacy of women’s writing from different perspectives. Women’s consciousness in literary criticism was gradually and steadily formed.更多还原