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融主体于客体,寓文学于科学——论《水经注·三峡》的立意谋篇

The Subject Being Melted into the object,Literary into Science——On the Layout of "Shui Jing Zhu: Three Gorges"

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【作者】 杨仁立商韵

【Author】 YANG Ren-li;SHANG Yun;School of Literature and Media,Qiannan Normal University for Nationalities;Editorial Department,Qiannan Normal University for Nationalities;

【机构】 黔南民族师范学院文学与传媒学院黔南民族师范学院学报编辑部

【摘要】 北魏郦道元的《水经注》原本是为古代的一部水文地理科学著作《水经》做注,按理应为说明文体。可是从《三峡》这篇文章的立意谋篇来看,却并非如此。立意上,它不是从客观介绍的角度而是从审美的角度来进行描写;谋篇上,它分别描述了各季节的看点并发表了主观感受。这种名不副实的写法不仅显示了作者的独创意识,也使得《水经注》这部作品具有了较高的文学价值。

【Abstract】 The Northern Wei Dynasty’s Shui Jing Zhu was originally made for the ancient hydrological and scientific work " Shui Jing",which should be explained as the expository style. However,from the perspective of the article " Three Gorges",this is not the case. In terms of purpose,it is not described from the perspective of objective introduction but from the perspective of aesthetics; as for the article,it describes the observations of each season and expresses personal feelings. This kind of misrepresentation not only shows the author’ s original consciousness,but also makes the work of " Shui Jing Zhu" have a high literary value.

【关键词】 《水经注》《三峡》立意谋篇审美神韵
【Key words】 Shui Jing Zhu" Three Gorges"layoutaestheticsrhythm
  • 【文献出处】 黔南民族师范学院学报 ,Journal of Qiannan Normal University for Nationalities , 编辑部邮箱 ,2018年06期
  • 【分类号】I206.2
  • 【下载频次】269
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