【摘要】 通过考察20世纪唐宋词选本中的代表性选本对柳永词的收录状况和阐释理路,可以大体窥见柳永词在现代词学史上经典形塑的模式。这种形塑首先体现出编选者对柳词的主题的窄化塑造与词史定位的塑造。其次体现出去俗存雅的审美倾向,并进一步完善和构建了"屯田蹊径"的词法理路;并且通过意旨阐释来对柳词的内蕴进行新的阐释。这种形塑作用在很大程度上决定了柳永及其词作在现代词学研究视野中的形象。因此考察其模式有助于在承继形塑作用所创认识框架的同时清醒地意识到其所可能带来的遮蔽,更为深入地理解柳词及其在现代词学史上的定位。更多还原

【Abstract】 Through studying how the works of Liu Yong were selected and explained in the representative selections of Ci in the 20 th century,we can roughly understand how the image of Liu Yong’s Ci was shaped in the history of the modern Ci research. Firstly,this mode of shaping shows how the theme of Liu Yong’s Ci was narrowly interpreted by editors and how Liu Yong’s Ci was placed in the history of Ci research. Secondly,it embodies the aesthetic tendency of abandoning the vulgarity and preserving the elegance,and further constructs and improves the lexical theory of "enclosures in the fields. "What’s more,it gives a new meaning to Liu Yong’s Ci. The shaping effect largely determined the image of Liu Yong and his works in the field of modern Ci studies. Therefore,to inspect its mode will remind us the limit of this mode while inheriting it. Then we can have a deeper understanding of Liu Yong’s Ci and its position in the field of modern Ci studies.更多还原