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女性主义翻译理论视角下《钟形罩》的大陆、台湾三译本考察
An Exploration of Three Chinese Versions of The Bell Jar from the Perspective of Feminist Translation Studies
【摘要】 女性主义翻译理论肯定译者在翻译过程的创造性,倡导译者将女性特质融入译文。本文讨论的对象是美国自白派诗人普拉斯的自传《钟形罩》的三个中译本。由于译者的性别意识差异,原作诗人的精神崩溃意象、认同危机在翻译操作中亦呈现出差异性,其中以郑至慧、杨靖为代表的女性主义译者通过序言、改写等"她者"操纵方式彰显了性属差异,赢得了女性话语权。
【Abstract】 Feminist translation studies affirm the individual translator’s creativity, allowing feminine elements into the translated texts. This paper deals with three Chinese versions of Sylvia Plath’s autobiography The Bell Jar. Due to the differences concerning the translator’s gender consciousness, the representation of images of spiritual breakdown and identification crisis demonstrate different meanings in the translated texts. The translator with gender consciousness reveals her feminist signature through the strategies of footnoting, prefatory remarks and rewriting, making women’s voices heard.
【Key words】 confessional poetry; Sylvia Plath; feminist translation; woman-handling;
- 【文献出处】 外国语文研究 ,Foreign Language and Literature Research , 编辑部邮箱 ,2017年04期
- 【分类号】H315.9;I046
- 【被引频次】3
- 【下载频次】448