【摘要】 主要采用文献资料和田野调查法,并以井芝峪村为个案,对平定武迓鼓的流变与传承进行了研究。结论认为:武迓鼓源自军中歌舞,发端于讶鼓戏,是早期军中讶鼓戏的遗留与孑变;庙会、社火、迎神赛社的传统生活习俗为平定武迓鼓的发展创设了条件;祈禳、娱神、迎送等民俗文化活动的减少,加速了平定武迓鼓自我消亡的历史进程;传统节日习俗文化的褪色也使之走向自我解构与文化变异。而走多元艺术融合的道路,开发民俗旅游资源,重塑文化符号则是平定武迓鼓文化生存与传承的必由之路。更多还原

【Abstract】 Through the method of literature,history,taking Jingzhiyu village as a case for investigation field,the author explores Wuya drum movement. Studies suggest that Wuya drum movement originated in stunned,which is the legacy of the early military stunned drum play away and change; God temple fair,jan,to meet the clubs traditional life custom created the conditions for development of Wuya drum,praying to rid,entertainment gods,and out the activities of folk culture,such as reducing accelerated Wuya drum death itself the historical process of traditional festival culture faded to make it to deconstruct and cultural variation; The multivariate art fusion road,follow the block of regional customs to open deductive logic evolution and development of folk tourism resources,reshape the cultural symbols constitutes the Wuya drum sports culture survival and inheritance rules of discourse.更多还原