【摘要】 后现代主义习惯于文本拼贴和文化元素的复制,并将此视为观念狂欢的创举。但在现实的社会语境中,后现代主义的文化任性并不意味着"剽窃"的说法销声匿迹。后现代主义文学"剽窃"加身使人正视后现代主义文本狂欢的限度。此外,后现代主义艺术界的复制风潮比起文学界来有过之而无不及,但人们似乎并不从这些妄为的复制中追究"版权"的归属。在复制、原创和剽窃的问题上,不同的后现代主义文化场域给出了不同答案。后现代主义文论界未能弥合文学内部空间和外在运作机制之间的差异,但艺术界却很好填平了艺术品内外部的逻辑鸿沟。更多还原

【Abstract】 Collage and copy pervade the Post-Modernism Art that means carnival of ideas. But Post-Modernism literature also meets with all kinds of accusations of plagiarism,so we will face up to the bottom line of cultural carnival. Art circle works on dazzling art experiments,beyond what the literature circle has. It is interesting that people aren’t suffering for the plagiarism of art work.There are different ways to deal with the relation on copy/original pieces and plagiarism in different cultural spaces of Post-Modernism. Specifically,the literary circle has two sets of standards to deal with internal and external literature,and this difference doesn’t exist in the art circle.更多还原