【摘要】 北宋中晚期两京地区的墓葬装饰盛行以"祝寿"场景为中心的图像配置形式,其图像元素可与宋代寿诗词相呼应,为我们还原出当时的祝寿仪式。它的形成与传统"寿堂"即生墓的营造有着密切联系,但究其根本原因还是来自于宋代士人个体意识的觉醒,这其中既有国家意识的理性对待,也有家族意识的眷念回归,还有情感归宿的根本诉求。因此,中原地区宋墓"祝寿模式"图像不仅是我国古代墓葬艺术世俗化发展的必然结果,也是宋代士人阶层个体价值、思想观念进步的具体表现。更多还原

【Abstract】 " Birthday" is the center scene of the the tombs configuration decoration in the capital area of the middle and late Northern Song Dynasty. These image elements can be combined with birthday Poems, showing the Birthday Ceremony at the time. Its formation is closely related to the traditional "longevity hall", which is the construction of the tomb for persons alive. But the root cause is the awakening of individual consciousness in the Song Dynasty,including rational national consciousness, soulful family consciousness and emotional desire. Therefore, it is not only the result of the secular development of the ancient burial art in China, but also the specific per formance of individual values and beliefs for scholar-bureaucrat in the Song Dynasty.更多还原