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唐山皮影跨文化传播策略探析

Cross-Cultural Communication Strategies of the Tangshan Shadow Play

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【作者】 杨志芳高宏蕊王玲

【Author】 YANG Zhi-fang;GAO Hong-rui;WANG Ling;Academic Research Office Langfang Teachers University;School of Foreign Languages,Langfang Teachers University;School of Literature,Langfang Teachers University;

【机构】 廊坊师范学院科研处廊坊师范学院外国语学院廊坊师范学院文学院

【摘要】 被誉为"电影始祖"的唐山皮影是我国优秀的非物质文化遗产,它具有鲜明的民族特征和地域特色,蕴藏着丰富的民俗文化资源,具有较高的艺术价值。与国内其它诸多艺术备受冷落的境况不同,唐山皮影在国外大受欢迎,反响热烈,但同时也存在传播范围有限、影响不够深入等问题。因此,要在更新剧目和表现手法上下功夫,拓宽对外传播的路径,加强跨文化传播的基础理论研究,使唐山皮影的跨文化传播取得实质性进展,扩大传播范围,减少文化误读,增进中国传统文化和核心价值观念在异文化体系中的理解与认同。

【Abstract】 The Tangshan shadow play becomes excellent intangible cultural heritage known as "film ancestor". It has distinct national and local characteristics and contains affluent resources of folk culture with high artistic value. Different from the domestic sluggish market,the Tangshan shadow play is popular abroad and gains warm reception although it is faced with limited communication and disproportionate influence. Therefore,it is necessary to update both the repertoire and techniques,broaden foreign communication,and strengthen basic theoretical research on intercultural communication so as to gain a substantive progress,wide spreading,and less cultural misunderstanding,and promote cultural understanding and recognition of traditional Chinese culture and core values in the foreign cultural system.

【基金】 河北省社科基金项目“非物质文化遗产冀东皮影的跨文化传播研究”(HB15XW004)阶段性成果
  • 【文献出处】 廊坊师范学院学报(社会科学版) ,Journal of Langfang Teachers University(Social Sciences Edition) , 编辑部邮箱 ,2017年01期
  • 【分类号】G125
  • 【被引频次】5
  • 【下载频次】225
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