【摘要】 在再现灾难性历史事件时,阿特·斯皮格曼将受害者的生命形式作为主要的刻画内容。在以纳粹屠犹为主题的绘画小说《鼠族》中,通过弗拉德克对大屠杀经历的叙述,斯皮格曼以文本与绘画相结合的方式从多个层面描述了大屠杀受害者个体生命的政治化状态。本文以莱维与阿甘本解析奥斯维辛囚犯的生命形式为视角,从见证者、被淹没的穆斯林、耻辱感与罪恶感等层面,解读《鼠族》中大屠杀受害者表现出的生命政治形式。更多还原

【Abstract】 When representing the catastrophic events in history,Art Spiegelman takes the life form of the victims as the main depicted content. In the graphic novel Maus,the theme of which is the holocaus,though Vladek’s narration to his experience in the holocaust,Spiegelman describes the biopolitical condition of the victim’s individual life from multiple levels with the combination of cartoons and words.From the perspective of the prisoners’ life form in Auschwitz analyzed by Levi and Agamben,this paper tries to interpret the biopoliticization of the victims of the holocaust embodied in Maus from the aspects of witness,muselmann,the feeling of shame and guilt.更多还原