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“亲爱的男人花”:《尤利西斯》中花的语言与花的隐喻

“Darling Manflower”: The Language and Metaphors of Flowers in Ulysses

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【作者】 吴显友

【Author】 WU Xianyou;

【机构】 重庆师范大学外国语学院

【摘要】 《尤利西斯》是一个花的世界,各类花草令人眼花缭乱。从认知隐喻的角度看,各种花草植物除具有丰富的指称意义外,还具有丰富的象征与隐喻意义,在不同的内外语境里,花朵的源语域特征,如美丽、纯洁、青春、爱情、性爱等,被投射到目标域如小说的两个主人公——布卢姆夫妇身上,这对刻画人物的性格特征,突出小说的性爱主题以及乔伊斯的性美学观都起到了重要作用。在作品里,乔伊斯以花草为媒介,通过大胆描写男女主人公的性意识、性幻想,甚至是性行为,敢于对传统性观念、性伦理发出挑战,成功塑造了两个"反英雄"人物形象,他们在两性的角色定位、行为模式等方面超越了性别机制的束缚,消解了传统的男性主体身份和女性客体地位的二元对立。

【Abstract】 Ulysses is a world of flowers which are dazzling its readers. From cognitive metaphor,those various kinds of flowers,in addition to their various referential meanings,carry some rich symbolic and metaphorical implications. In some certain contexts,properties of those flowers as a source domain,such as beauty,purity,youth,love,sexual love,etc.,are duly mapped on Mr. and Mrs. Bloom,hero and heroine of the novel. Such a mapping contributes much to portraying characters,foregrounding the theme of sexual love and Joyce’s aesthetics of sexuality as well. In the novel,with flowers as his medium,Joyce,by venturing to describe their sexual instinct,sexual illusions and even sexual behaviour of both hero and heroine,is bold enough to challenge traditional sexual attitudes and ethics,succeeds in portraying two striking "antiheroes"who have broken the chains of gender mechanism either in role stereotype or behavior pattern,and deconstructs the traditional dichotomy of male as a subject identity and female as an object one.

【基金】 2013重庆市社会科学基金项目“认知诗学视域下的《尤利西斯》小说创新艺术研究”(2013YBWX077);2015年国家社科基金西部项目“《尤利西斯》的认知诗学研究”(15XWW002)的阶段性成果
  • 【文献出处】 外国语文 ,Foreign Language and Literature , 编辑部邮箱 ,2016年02期
  • 【分类号】I562.074
  • 【被引频次】3
  • 【下载频次】380
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