【摘要】 境界说是中国美学的核心范畴,也是我国古代审美理想和审美心理的集中体现。中国传统建筑以"天人合一"的思想作为最基本的哲学内涵,形成了独特的"五位四灵"风水理论、尊卑有序的平面布局和山水之间的园林景观,其情景交融、虚实相生、主客契合、以有限寓无限,对宇宙本体和自然生命的追求,表现造化生动的图景,正是"境界"的美学本质。作为中国传统建筑的基本形式,民居院落、宫殿组群、园林景观则分别体现了审美境界中"物境"、"情景"和"意境"三种审美意识结构。更多还原

【Abstract】 Realm theory is the core category of Chinese aesthetics,and it is also the embodiment of Chinese ancient aesthetic ideal and aesthetic psychology. Chinese traditional architecture with the thought of"harmony between man and nature"as the most basic philosophical connotation,forming a unique Fengshui theory of"five positions and four deities",pecking order of plane layout and landscape.Fitting the scenes and the actual situation,subjective and objective,to contain no limit,nature and vivid picture,the pursuit of the ontology of the universe,and the nature of life is the aesthetic essence of the"realm". As the basic form of Chinese traditional architecture,the courtyard,the palace group and the garden landscape are respectively embodied in the aesthetic realm of"material environment","scene"and"artistic conception",which constitute the three kinds of aesthetic consciousness.更多还原