【摘要】 "鸱吻"是中国古代建筑屋顶上的一种建筑装饰构件,它的存在是基于中国传统社会中的礼制文化、意象观以及民俗民风的相互诠释并经过图纹相互转换的精神事物,它不仅确立了"意象"本位的尊贵地位,而且确立了"立象以尽意"的中国美学的意象原则。鸱吻意象从两汉温情脉脉的凤鸟纹饰,演绎为明清时期以庄重为目的的鱼、龙相结合的意象装饰形式,展现了一个"现实世界"与"理想人生"相融合的审美意象空间,并使鸱吻这种被历朝历代统治者所尊奉的图像成为中华民族物质文化载体和精神价值观的体现。古代建筑中的鸱吻意象可以归纳为由简洁向复杂、由实用到审美、由神性向人性的回归,把个体文学的叙事表象与人民对生命真理的追寻作为返璞归真的头等要务,高度体现了原始思维的"神化"与"巫化"的基本美学特征,逐步形成独具中国古典美学韵味并彰显封建礼制社会思想的"意象创构文化"。更多还原

【Abstract】 "Chiwen"is a kind of architectural ornament in the shape of a legendary animal on the roofs of Chinese ancient architectures. Its existence is based on the mutual interpretation of ritual culture,image concepts and folk customs in Chinese traditional society and on the mutual pattern transformation of the spiritual things. Not only does it establish the"image- standard"of the noble status,but also establishes the image principle of the Chinese aesthetic,using the symbol sign to express deep meaning. The Chiwen image is deducted into the image decorative form of the combination of fish and dragon for the purpose of solemn expressions in Ming and Qing Dynasty from the phoenix decoration full of tender feelings in the Han Dynasty. It displays an aesthetic imagery space integrating"reality world"with"ideal life". The image of Chiwen,which was enshrined by the rulers of various dynasties,has evolved into the embodiment of carriers of material culture and spiritual values of the Chinese nation. The Chiwen image in ancient architecture can be summarized as the regression from simple to complex,from practical to aesthetic and from divinity to humanity. The Chiwen image regards the narrative representation of individual literature and the pursuit of life truth as top priorities of returning to nature,highly embodies the basic aesthetic features of "deification"and "witch"in the original thinking,gradually forms "image-cultivating culture"covering unique Chinese classical aesthetics charm and the social thoughts of the feudal etiquette.更多还原