【摘要】 在戏剧翻译研究中,戏剧翻译的标准一直是学界争论的焦点所在。研究者大多各执一端,对戏剧翻译实践的评价往往有失偏颇。以近年兴起的"译者行为批评理论"为戏剧翻译研究新视角,考察洪深翻译的剧作《少奶奶的扇子》(原作为王尔德剧作Lady Windermere’s Fan),并以剧中最重要的戏剧符号"扇子"为例分析洪深统一于"求真—务实"连续统中的翻译行为,可得出"求真为本,务实为上"的戏剧翻译标准,为戏剧翻译实践和批评提供有价值的参考。更多还原

【Abstract】 In the study of drama translation,there has long been a dispute over translation criteria.Scholars usually make partial criticism on translation practice. ‘Theory of translator behavior criticism’can be adopted as a new perspective to scrutinize Hong Shen’s translation of Lady Windermere’s Fan,one of Oscar Wilde’s famous plays. With particular emphasis on the analysis of Hong Shen’s translation activities integrated in the continuum of ‘truth seeking and utility attaining’in dealing with the"fan",a significant theatrical sign,a conclusion can be drawn that drama translation can follow the principle of ‘taking truth-seeking as the basis and utility-attaining’as the priority. It is expected to offer some valuable reference for translation practice and translation criticism.更多还原