【摘要】 郭象独化论美学是佛教传入中土之前中国古代美学思想的总结和高峰。美是自由作为存在方式的感性显现,郭象对自由作为本真存在的界定受到中国传统实在论(天道观)的影响。郭象的独化论美学包括四个方面,其一,物各有性与本真存在之决定。天道是自由作为本真存在的实在论基础,对天道之分有也是实现审美还原的内在依据。其二,自是非彼与人生在世之解构。以过当之人欲为表征的对象性存在是人的实存境域,也是审美还原的现实依据。其三,无心于物与审美还原之进路。无心于物的本质内容是激活本有皆有之"性分"以收敛现实人心并实现存在方式向本真存在的还原。其四,玄冥之境与终极存在之呈现。玄冥之境既是天道作为终极实在的内在规定,也是美作为终极存在的感性显现。最后,自我建构与独化论美学之囿。天道观是独化论美学的实在论基础,从本质来说,天道是自我意识的主观建构,天道之虚妄性决定了郭象美学存在着自身无法克服的问题并直接决定着独化论美学在本真论、在世论、还原论和境界论诸维度的真实性和可能性。更多还原

【Abstract】 Guo-xiang’s aesthetics of Du-hua is the summary and peak of the thoughts of ancient Chinese aesthetics before Buddhism is introduced into China.Beauty is the sensible appearing of freedom as a way of existence,Guoxiang’definition for freedom as natural being is impacted upon Chinese traditional realism.Guo xiang’s aesthetics includes four aspects.First,the nature of things and the true existence.Heaven is the real foundation of freedom as the true existence,and separation of heaven is the inner basis of aesthetic restoration.Second,Sure I deny others and deconstruction of living life with the excessive human for characterization of objective existence is the actual existence,also is the real basis of aesthetic restoration.Third,no attachment to the thing and the route of aesthetic reduction,the intentional content of no attachment to the thing is to activate the nature of things and achieve the reduction of natural existence from the actual existence.Forth,the state of metaphysics and the present of the ultimate existence is not only the inner rules of heaven as the ultimate reality,but also the perceptual appearance of beauty as the ultimate being.Finally,due to the self-construction and the restriction of aesthetics of Du-hua,heaven is the real foundation of aesthetic of Du-hua.In fact,heaven is the subjective construction of self-consciousness,the unreality of heaven decided Guo-xiang’s aesthetics cannot overcome itself and directly decides the authenticity and possibility of aesthetics of Du-hua.更多还原