【摘要】 胡适诗学致力于意象的构建与运用,主张以白话入诗,推崇朴实简约的诗风,追求诗体大解放。这与同时代大洋彼岸由埃兹拉·庞德引领的意象派主张有诸多相似之处。基于跨文化的视角,我们不难发现,这两个文学事件间的关系实际上源远流长,彼此遥相呼应,构成了一道特殊的文学景观。胡适的诗学思想是其中国基础、美国经验以及意象主义者的中国想象这三重资源碰触、融合的结果,是东西互鉴的产物,是中美文学、文化交流双向性特点的典型呈现。更多还原

【Abstract】 As the leader of May- 4th New Poetry Movement,Hu Shih aimed at creating and employing images,advocated introducing Vernacular Chinese into poetry writings,attached great importance to simplicity and sought liberty for poetry.Almost all Hu Shih’s pursuits found their reverberations in Ezra Pound’s imagism in America. Notably,a closer look from cross- cultural perspectives reveals that the two poetry movements across the Pacific Ocean in fact are historically and aesthetically related. And Hu Shih’s new poetics are actually a child of the interactions among Chinese traditions,his American experiences and American imagists’ China imaginations,which is a perfect case and representation of the China- America literature interaction and immersion.更多还原