【摘要】 《坚守与批评》选取笔者30多年间对现时某些文艺现象直言批评的文章,以此表明自己作为一名文艺评论者的坚守信念与批评立场。关于"坚守",若概而言之,即,坚守文艺自身的独特规律,坚守文艺以提升人的精神品格为旨归的价值导向,坚守文艺对当代美学的创造性贡献。我的批评立场与此相一致,并自觉坚持这样三点:其一,坚持自觉融合感性与理性,融合社会历史的考察与艺术的、美学的赏鉴,为提升理论的指导性与评论的有效性而努力;其二,坚持从文艺创作及相关文艺现象实际出发,以文艺的独特规律与其应有的价值导向为参照,在分析中发现问题,在说理中表明观点;其三,坚持批评者的学术操守与良知,以作品为对象,有好说好,有不足说不足,坚决摒弃无原则的吹捧与哗众取宠式的酷评,尤其远离那种为"红包"而效力,或为"排异"而充当话语刀客的不堪行径。更多还原

【Abstract】 Sticking and Criticizing, consists of different critical articles that the author has written during thirty years concerning this phenomena in the literary and artistic fields. This work indicates the author’s stand of sticking to his beliefs and being critical as a literary or art critic. "Sticking", in general, is to stick to the unique laws of literature and art. The aim of which is to promote the spiritual quality of art and literature and to contribute creatively to contemporary aesthetics as the aim of literature and art. The author’s standpoint corresponds with this point and supports it conscientiously in three ways: firstly, to insist on the fusion of perception and reason, the fusion of the investigation of social history and the appreciation of art and aesthetics, and making efforts to promote the theories’ guidance and the comments’ effectiveness. Secondly, to insist on analyzing the problems and expressing the author’s opinions based on the reality of the art and literature creation and the relevant phenomena, following the unique law of literature and art and their moral guidance. Thirdly, to insist the critic’s conscience and personal academic integrity, giving comments honestly based on the real quality of the works, rejecting the flattery lacking of substance in principles and the patronizing comments which only want to please the public with drivel, especially be disassociated from Hongbao(offer a bribe in a red envelop) or acting as the lobbyist for discriminating against those with different opinions.更多还原