【摘要】 在汤显祖的"临川四梦"中,学界历来推崇《牡丹亭》为"四梦"之首。然而若从叙事学视角细读其戏曲文本,则可发现《邯郸记》的叙事技巧实居"四梦"之首,堪称"临川四梦"戏曲文本叙事的巅峰之作。相较于其他"三梦",《邯郸记》别具一格的叙事技巧主要体现在如下四个方面:一是厚重深刻的叙事主题——虚实相生、儒佛合一的多重主旨;二是复杂的圆形人物塑造法——人物特性参量的动态聚合、"功能多价"的人物功能、开放式的人物特性;三是时空的迅速流转——展现人物完整的生命流程、强化情节的戏剧冲突性;四是巧用"发现"和"突转"——增强戏剧情节的曲折性和文本的可读性。更多还原

【Abstract】 In the"Linchuan Four Dreams"written by Tang Xianzu, the scholastic circle has always regarded The Peony Pavilion as the first of the"Four Dreams". However, if reading the drama text carefully from the perspective of narratology, it can be found that the narrative techniques of The Handan Dream actually ranks the first and is the pinnacle of drama text narration among the"Linchuan Four Dreams". Compared to other three dreams, the unique narrative techniques of The Handan Dream are mainly reflected in the following four aspects: the first is the heavy and deep narrative theme, that is the multiple purport of the complement of virtual and real and the unity of Confucianism and Buddhism. The second is the characterization method for the complex and round characters, that is the dynamic aggregation of the parameters of character traits, " function multivalent"character functions and open character traits. The third is the fast moving of space and time, Which help to reveal the complete life processes of the characters and strengthen the dramatic conflicts of the plot. And the fourth is the clever use of"discovery"and"sudden changes", Which help to enhance the tortuosity of the dramatic plots and the readability of the text.更多还原