【摘要】 新媒体时代不仅催生出微博、微信等交流平台,还催生出微电影、微纪录影像等"微型"艺术形态,有着鲜明的后现代审美特征。笔者以微纪录影像为研究对象,试图在后现代视域下探讨其真实、微型、多元的生成语境以及"拼凑"的零散化、躲避崇高价值倾向、趋近"心理真实"、解构重置的艺术观这四大审美特征,并在此基础上分析微纪录影像的商业化趋向、病毒式传播、质量良莠不齐等审美局限,借以为我国微纪录影像发展提供参考。更多还原

【Abstract】 New media era not only nurtures communication platforms like micro-blog and wechat,but also breeds micro-art forms with typical postmodern appreciation characteristics like micro-movie,micro-recoding images.Focused on microrecording image,this paper intends to discuss its true,micro,diverse generative context,and its four appreciation characteristics,which are:fragmentation of "piecing together",tendency to avoid sublime values,approaching"psychological truthfulness"and deconstruction reset.Based on it,the author analyzes some appreciation limits,like commercialization of micro-recoding images,spreading like virus,unevenness in quality,providing some reference to our country’s micro-recoding image development.更多还原