【摘要】 桐乡花鼓戏属于地方小戏,自建国前的繁荣到上世纪80年代的没落,自2001年重新回归乌镇古戏台,到2012年入选第4批浙江省非物质文化遗产名录,桐乡花鼓戏积极探索一条保护和创新传承的新途径。在"中国戏剧之乡"浓浓的戏曲氛围下,依托乌镇旅游非遗景区进行动态展演、借助高校"非遗"专业学生暑期社会实践团队开展抢救性挖掘保护、建立多层面的花鼓戏表演团队进行创新性演出,通过花鼓戏传承教学基地培养后继人才,从源头出发,把握了桐乡花鼓戏的历史、现在和未来的发展脉搏,所形成的新模式值得传统戏曲类非遗保护的借鉴。更多还原

【Abstract】 As a local opera,Tongxiang Huagu Opera boomed before the founding of PRC and declined in 1980’s. Since the return of Tongxiang Huagu Opera in Wuzhen ancient opera stage in 2001,added with the inclusion of Tongxiang Huagu Opera in the fourth batch of intangible cultural heritage in Zhejiang province,Tongxiang Huagu Opera actively explored a novel way for protection and inheritance. In the atmosphere of "Chinese drum town-Wuzhen",with the efforts of college students "intangible cultural heritage summer social practice team"to carry out the salvage excavation protection,the establishment of multi-level Huagu Opera performing team,the follow-up training project through the Huagu Opera Tradition Teaching base,the inheritance of Tongxiang Huagu Opera has started from the source,grasped its history,present and future development. The new model of the inheritance of Tongxiang Huagu Opera is worthy of reference for the protection of intangible cultural heritage for traditional operas.更多还原