【摘要】 20世纪初俄国著名芭蕾编导和改革家福金,在世界芭蕾艺术史上做出了重要的贡献,被人们誉为"现代芭蕾之父"。福金的舞剧创作理念主要是针对20世纪初俄国芭蕾舞剧出现的问题和弊端而提出并形成的。一方面福金将这一理念明确为对新舞剧创作的五条原则,另一方面将它们作为对现代舞剧创作的审美判断标准付诸实践。本文将福金的改革理念置于19世纪末20世纪初西方现代文艺潮流的文化背景中,通过对福金芭蕾舞剧创作理念形成的思想基础的探源,以及对福金最有代表性的现代芭蕾舞剧《仙女们》、《火鸟》和《彼得鲁什卡》等作品的分析,论证了福金芭蕾舞剧创作理念中的现代性特征。更多还原

【Abstract】 Fokine is a famous Russia ballet choreographer and reformer in early 20 thcentury,known as the Father of Modern Ballet,and he has made huge contribution in the history of ballet worldwide. Fokine’s creation ideas of ballet mainly focus on the problems and disadvantages of Russia ballet in the early 20th’s. On one hand,Fokine carried out five principles of new ballet,and on the other hand,he made these five principles standards of judgment for modern ballet creation. This paper explores the creative ideas and the ideological foundation of Fokine’s ballet creation under the background of western modern art in the late 19 thcentury and early20 thcentury,and analyzes the modernization characteristics of Fokine’s ballet creative ideas through his famous modern ballets,such as Les Sylphides,The Firebird and Petrouchka.更多还原