【摘要】 在鲁迅小说中,其作品主人公往往由于情感的创伤,导致他们不得不将爱抚转为复仇,并由此构成其复杂而深刻的心理内涵。《孤独者》中的魏连殳的复仇并非完全源于社会习俗的压迫,更多是来自少年时期亲情的抚爱被剥夺的创伤性经验,这使他企图通过自戕的方式,在对自我、对社会的报复中解除内心的压抑;《奔月》中后羿的复仇并非完全来自爱妻的离弃、学生的背叛以及英雄无用武之地的落寞,更多是源于对娇妻的爱抚而产生的性爱的压抑,他的症候在对爱妻的复仇中才得以彻底解除;《铸剑》中的宴之敖的复仇更多是由于在对世人的爱抚中产生了太多的绝望,而后转为大憎,并最终通过复仇来宣泄他对世界的绝望。更多还原

【Abstract】 The characters in Lu Xun’s novels have to change their love to revenge because of their emotional trauma,thus they form a complicated and profound psychological connotations. Revenge of Wei Lianshu in Loners is not entirely from the oppression of social customs,but is more from the adolescence affection of love,which is from his traumatic experience; he attempts to lift the repression of the heart and his angry by abusing himself and society. Revenge of Hou Yi in Flying to the Moon,is not entirely from the leaving of his beloved wife,the betrayal of his student and his powerless loneliness,but is more rooted in sexual repression,and finally his stress is removed by his revenge for his wife. Revenge of Yan Zhi’ao in Forging the Swords is more from the despair of his love of the world,and then changes into a big hate,so he gives vent to his despair by revenging the world.更多还原