【摘要】 美国名作家海明威小说中的女性形象一直是学界争论不休的问题。本文概括地评价了正反双方的不同意见,并以海明威小说文本分析为基础,结合时代的语境,指出海明威笔下女性形象可分为四类。这些不同类型的女性形象反映了海明威从20世纪20年代到50年代女性意识的变化,并不是单调的"老一套"。海明威并不受传统观念的束缚,片面地突出男性权威,轻视女性,而是克服个人生活中的偏见,用双性视角如实地塑造女性。论文还深入评价了海明威的"秘密缪斯",美国学界"双性转化论"者对"创伤论"的质疑,揭示了海明威研究的新发展,具有启迪价值。更多还原

【Abstract】 The female images in Hemingway’s fiction have been a controversial issue for quite a long time in the academic world. This thesis vividly gives a brief account and comment on the positive and negative viewpoints on the issue. And based on the fictional text-analysis,and combined with the social,epochal and cultural contexts,it points out that Hemingway’s female images may be divided into four categories with different characteristics and by no means of the same stereotype. They have reflected the changes of Hemingway’s feminine consciousness from the 1920 s to the 1950 s. It shows that Hemingway,free from the bondage of traditional ideology,doesn’t saliently worship the masculine heroism,nor looks down upon female figures. On the contrary,he has overcome the prejudice in his life and portrayed the female images realistically with double-sex outlook. The paper also makes some comments on Hemingway’s"Secret Muses"and the doubts on the theory of the wounded by some American scholars who advocate the new points of androgyny. It shows the new breakthrough in Hemingway studies in the United States.Thus it’s of great significance.更多还原