【摘要】 数码摄影以记录真实便捷而兴,快速成像得宠,"图像"传播而盛。在大众参与的摄影时代,面临由来已久的唯器材唯技术的摄影认知误区,又因数码后期技术无所不能的渲效相辅而愈加扩大。或盲从器材的高端化,或苛求技术参数的精准,或过分依赖计算机图像处理软件。基于摄影是表现真、善、美的艺术,是视觉思维与文化价值的判断,还是思想、情致的表达,就器材、技术、后期与相应意识的比较性研究,梳理出以意识为核的摄影观。再现不止于表征,而是有诉求意识的审美交互,是为有生命、深度的表现。更多还原

【Abstract】 The digital photography is popular with its convenience of recording the reality, fast imaging and "image" spread. In the photographic era of mass participation, it is faced with the longstanding cognitive error that photography should only focus on equipment and technology, which expands to blind pursuit of high-tech equipment, or overcritical precise technical parameters, or unduly dependence on image processing software, due to the powerful render effect of digital technology in late period. Photography is the art of truth, goodness and beauty, the judgment of visual thinking and cultural value, and the expression of thought and emotion. The comparative study of equipment, technology, late period, and corresponding consciousness can tease out the photographic concept focusing on consciousness, reproduce the aesthetic interaction of appealing consciousness which do not stop at representation, and give an animate and in-depth performance.更多还原